Sounds of the seventies 1970

31.03.2021 By Kajilkis

Philadelphia soulsometimes called Philly soulthe Philadelphia soundPhillysoundor TSOP The Sound of Philadelphiais a genre of late s—s soul music characterized by funk influences and lush instrumental arrangementsoften featuring sweeping strings and piercing horns. Fred Wesleythe trombonist of the James Brown band and Parliament-Funkadelicdescribed the signature deep but orchestrated sound as "putting the bow tie on funk.

Due to the emphasis on sound and arrangement and the relative anonymity of many of the style's players, Philadelphia soul is often considered a producers' genre. Their hit by Double Exposure" Ten Percent ", was the first commercial inch single. Philadelphia soul was popular throughout the s, and it set the stage for the studio constructions of disco and urban contemporary music that emerged later in the decade. David Bowie 's album Young Americans was recorded in Philadelphia and influenced by the Philadelphia soul sound.

From Wikipedia, the free encyclopedia. This article is about the musical genre. For the arena football team, see Philadelphia Soul.

sounds of the seventies 1970

Soul funk rhythm and blues big band baroque pop Philly music. Disco smooth jazz.

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Philadelphia portal. Songwriters On Songwriting.

sounds of the seventies 1970

Da Capo Press. Retrieved 19 June NBC Philadelphia. Smithsonian Magazine. Retrieved Legendary soul music producer Bobby Martin". Retrieved June 19, New York: Oxford University Press. Retrieved 18 June Archived from the original on 2 February Retrieved 25 January Soul music. Categories : Soul music genres Culture of Philadelphia Music scenes. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file.

Download as PDF Printable version.These songs are available on other compilations, but this offers a decent collection of '70s hits for the casual fan.

AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental.

Sounds of the Seventies: Classic 70's

Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. Release Date November 17, Track Listing. Come and Get Your Love. Lolly Vegas. Back Stabbers. The O'Jays. Ain't No Sunshine.Sounds of the Seventies: is another fine entry in a fine series from Time -Life. It collects 21 songs that made the year what it was, while drawing from a wide range of styles and genres.

It provides both a fine introduction to the year's music and a highly entertaining exercise in nostalgia, and either way it is a blast. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy.

Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists.

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Streams Videos All Posts. Track Listing. Up Around the Bend. John Fogerty. Creedence Clearwater Revival. Edwin Starr. Van Morrison.

Sounds of the Seventies: Classic 70's

Mama Told Me Not to Come. Randy Newman. Three Dog Night. The Rapper. Dominic Ierace. The Jaggerz. Uncle John's Band. Grateful Dead.Sounds of the Seventies: - Take Two is another fine entry in a fine series from Time-Life that picks up where Sounds of the Seventies: leaves off. It collects another 21 songs that made the year what it was, while drawing from a wide range of styles and genres.

It provides both a fine introduction to the year's music and a highly entertaining exercise in nostalgia, and either way it is a blast. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental.

Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes.

Features Interviews Lists.

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Streams Videos All Posts. Track Listing. I Want You Back. Berry Gordy, Jr. The Jackson 5. The Temptations. Get Ready. Smokey Robinson. Rare Earth. Mississippi Queen. Evil Ways. Spill the Wine. Robbie Van Leeuwen. Shocking Blue.Sounds of the Seventies: The Late '70s is a song collection that does a fine job of rounding up and presenting the disparate strands of music that ruled the charts near the end of the decade.

AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy.

Energetic Happy Hypnotic.

Philadelphia soul

Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts.

Track Listing. Last Dance. Paul Jabara. Donna Summer. In the Navy. The Village People. More Than a Feeling. Tom Scholz. Magnet and Steel. Walter Egan. Walter Eagan. Sad Eyes. Robert John.

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Happy Days. Video Killed the Radio Star. Sharing the Night Together.

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I Go Crazy.This series featured music from the s. The early volumes issued and before were probably issued as 2-LP box sets as well as CD, but we have not seen the LP sets. There were 40 volumes in the first set released with the SOD- prefixstarting in and running to Insome of the volumes of the set, along with some new volumes, were reissued using the R prefix.

Afterthe first ten volumes of the series were reissued as Ultimate Seventies, in the same order as the originals, using the R series.

Sounds of the 70's

As with many of their subscription series from the early s, Time-Life ventured into the retail market in the late s with a series of 3-CD budget box sets. These were meant to be representative samplers of the larger series, probably in hopes of attracting new subscribers who knew little about Time-Life's subscriptions. Each box set contained three CDs, with artwork representative of the series, all enclosed in a thin cardboard cover.

Each of the box sets had "Greatest Hits" down the left side of the cover and down the left side of the CDs in the tray area. The CDs themselves usually had only 12 tracks, unlike the on the regular subscription versions in the series. At left is a promo sheet for the "retail version" of the Sounds of the Seventies series box set.

We would appreciate any additions or corrections to this discography. Just send them to us via e-mail. Both Sides Now Publications is an information web page. We are not a catalog, nor can we provide the records listed below. We have no association with Time-Life or Warner Bros. Should you be interested in acquiring albums listed in this discography all of which are out of printwe suggest you see our Frequently Asked Questions page and follow the instructions found there.

This story and discography are copyrightby Mike Callahan. All tracks stereo. A reader notes, "I subscribed to this series when it first came out. They never did send me the whole series they only sent me 35 of the 38 volumes. The last one they sent to me for this series was "Physical", Catalog R and it does not fit in with the rest of the series. When I had called them at the time about this they told me this was part of the series and that it was the last one in the series.

Sounds of the Seventies: 1970

It contained the following three budget CDs in a cardboard cover:. Reissue of Sounds of the Seventies Series as The Ultimate Seventies : This series was a reissue of the first ten volumes of the Sounds of the 70s series, in the same order, with different covers and new catalog numbers.As the used vinyl bins of the world are still telling us, records were the thing. Labels were flush with cash, sales of LPs and singles were brisk, and record stores were everywhere.

Home stereos were a standard part of middle-class culture.

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Analog recording technology was at its zenith, FM radio was ascendant, and the AM dial still focused on music. The children of the baby boom were coming into their late twenties and thirties—young enough to still be serious music consumers, but old enough to have their own generation of children who were starting to buy music. And then there was the music itself. Disco, an entire cultural movement fueled by a genre of music—with massive impact on fashion, film, TV and advertising—was utterly ubiquitous.

Soul and funk were reaching new levels of artistry. Punk, the first serious backlash against the rock mainstream, came into its own. Records from Jamaica were making their way to the UK and, eventually, the U.

As culture moved in every direction at once, there were more great songs than anyone could count. Listen to the best songs of the s on Apple Music and Spotify. Broken Englishher first rock record in 12 years, was the comeback triumph no one expected, not least in how gritty it was. The chilling title track is a prophetic merging of punk and dance, with lyrics that plumb the depths of her losses. It manages this even as the lyric itself is private—the literal text of a classified ad.

Jennings and his peers were traditionalists who bucked the very notion of tradition. All of them had been manhandled by the industry, but few bristled against the mainstream quite as strongly as Jennings, who found himself on a series of poorly planned tours that left him deep in debt to his label and addicted to amphetamines.

But the version recorded for his massive crossover album Africa Brasil exudes joy, sparks flying from every exuberant note. Perry essentially released a dub version of the Romeo and Jazzbo tracks, then followed it with a dub of the dub.

By then, the jazz saxophonist was already well established, but the record was a huge flop. Historically, makossa, the popular Cameroonian dance music, is a mix of soukous, highlife, and traditional Douala dance rhythms. He assumed it would be like the rest of the samba records he was collecting, but its cover gave a hint of something subversive: the image of a barbed wire fence scrawled across a white surface.

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sounds of the seventies 1970

Her delivery evokes a woman possessed as she roars and vamps through her seduction.